Collection PL

Uruguay 1900 — Banco de la Republica Oriental del Uruguay 100 Pesos Photographic Proof Pair, (Pick Unlisted)

An undated photographic proof pair for the 100 Pesos denomination produced by the American Bank Note Company for the Banco de la Republica Oriental del Uruguay. Printed on photographic paper and mounted on cardstock, this pair documents an early twentieth-century design stage preceding later interwar issues, preserved outside the currency production workflow. The obverse presents a formal portrait of José Gervasio Artigas in profile within a dense ornamental framework of laurel and guilloche elements, with the denomination prominently displayed. ... Read more →

Uruguay 1935 — Departamento de Emisión del Banco de la Republica Oriental del Uruguay 100 Pesos Photographic Proof Pair (Pick Unlisted)

A photographic proof pair for the 1935 100 Pesos issue produced by the American Bank Note Company for the Departamento de Emisión del Banco de la Republica Oriental del Uruguay. Prepared as part of the redesigned monetary series authorized in 1935, this proof pair records the finalized face and back designs prior to reduction to circulating format. The obverse combines two principal motifs within a dense ornamental framework: a formal portrait of José Gervasio Artigas and a classical female figure holding scales, arranged symmetrically around the central national arms and denomination. ... Read more →

Uruguay 1939 — Departamento de Emisión del Banco de la Republica Oriental del Uruguay 100 Pesos Photographic Proof Pair (Pick Unlisted)

A photographic proof pair for the 1939 100 Pesos issue produced by the American Bank Note Company for the Departamento de Emisión del Banco de la Republica Oriental del Uruguay. Forming part of Uruguay’s unified 1939 national series, the 100 Pesos denomination represented the entry level of the redesigned monetary structure beneath the higher 500 and 1,000 Pesos values. The obverse features a classical female figure in profile, rendered within a restrained architectural framework and surrounded by finely balanced guilloche engraving. ... Read more →

Uruguay 1935 — Departamento de Emisión del Banco de la Republica Oriental del Uruguay 500 Pesos Large-Format Presentation Photo Proof Pair (Pick Unlisted)

A large-format photographic presentation proof pair for the 1935 500 Pesos issue produced by the American Bank Note Company for the Departamento de Emisión del Banco de la Republica Oriental del Uruguay. As part of Uruguay’s pre-war unified design program, the 500 Pesos denomination occupied a senior position within the series, below the 1,000 Pesos but above the standard circulation values. The obverse features a classical female head in profile within an elaborate architectural and ornamental framework, accompanied by the full denomination and national arms. ... Read more →

Uruguay 1939 — Departamento de Emisión del Banco de la Republica Oriental del Uruguay 500 Pesos Photographic Proof Pair (Pick Unlisted)

A complete photographic proof pair for the 1939 500 Pesos issue produced by the American Bank Note Company for the Departamento de Emisión del Banco de la Republica Oriental del Uruguay. Issued as part of Uruguay’s unified 1939 monetary series, the 500 Pesos denomination occupied a senior position within the structure of the issue, second only to the 1,000 Pesos. The obverse features a classical female head in profile, framed within an ornate architectural cartouche and accompanied by the full denomination and national arms. ... Read more →

Uruguay 1939 — Departamento de Emisión del Banco de la Republica Oriental del Uruguay 1,000 Pesos Large-Format Presentation Photo Proof Pair (Pick Unlisted)

This exceptionally large-format photographic presentation proof pair for the 1,000 Pesos issue dated 1939 represents the apex of archival proof material prepared for the Departamento de Emisión del Banco de la Republica Oriental del Uruguay. Produced by the American Bank Note Company, this pair documents the finalized design of Uruguay’s highest denomination in its fully resolved form, preserved outside the currency production workflow. Printed on heavyweight photographic paper and mounted on archival cardstock, this presentation format was intended for institutional reference rather than technical testing. ... Read more →

Uruguay 1935 — Departamento de Emisión del Banco de la Republica Oriental del Uruguay 1,000 Pesos Large-Format Presentation Photo Proof Pair (Pick Unlisted)

This exceptionally large-format photographic proof pair for the 1,000 Pesos issue dated 1935 represents one of the most imposing archival presentation formats produced for the Departamento de Emisión del Banco de la Republica Oriental del Uruguay. Unlike standard-sized photographic proofs intended primarily for internal plate approval, this example was mounted on an oversized presentation card measuring approximately thirty-three by thirty-three centimeters, dwarfing both the standard note format and later proof mountings. The face and back photographic proofs themselves measure approximately twenty-three by twelve centimeters, reflecting a distinct enlargement relative to the issued banknote format. ... Read more →

United States 1935D — 1 Dollar Silver Certificate Radar Serial Number Y88866888E (Friedberg 1613N, YE Block)

This 1935D 1 Dollar Silver Certificate (Friedberg 1613N, YE Block) combines classic blue-seal artistry with one of the most coveted numerical patterns in modern U.S. small-size currency — a Radar Serial Number. The serial Y88866888E reads the same forward and backward, forming a perfect numerical palindrome that collectors universally prize for its rarity and visual symmetry. ... Read more →

United States 1935D — 1 Dollar Silver Certificate Butterfly Fold Error (Friedberg 1613W, IF Block)

This 1935D 1 Dollar Silver Certificate (Friedberg 1613W, IF Block) presents an exceptional Butterfly Fold Error, a visually dramatic mechanical mishap that occurred during the printing process at the Bureau of Engraving and Printing. A portion of the note’s corner was inadvertently folded over before printing, causing part of the design to print on the folded flap while leaving a blank triangular void once the paper was unfolded. The result is a note that physically displays the three-dimensional evidence of its own creation error. ... Read more →

United States 1974 — 1 Dollar Federal Reserve Note, Chicago District Paper Jam Error (Friedberg 1908-G, GD Block)

This 1974 1 Dollar Federal Reserve Note from the Chicago District (Friedberg 1908-G, GD Block) presents a distinct Paper Jam Error—an uncommon and revealing production mishap that occurs when the currency paper fails to feed smoothly through the intaglio press or overprint unit. The result is a wrinkled or crumpled section of paper that becomes permanently flattened into the design, often distorting part of the printed image or leaving telltale creases and folds embedded beneath the ink. The Bureau of Engraving and Printing’s multi-stage process involves extremely fine tolerances, with paper sheets passing at high speed through multiple presses—first for back printing, then face, and finally for seals and serials. ... Read more →

United States 1935F — 1 Dollar Silver Certificate Courtesy Autograph by Treasurer Ivy Baker Priest (Friedberg 1615, UI Block)

This 1935F 1 Dollar Silver Certificate (Friedberg 1615, UI Block) bears a distinguished Courtesy Autograph by Ivy Baker Priest, Treasurer of the United States from 1953 to 1961 under President Dwight D. Eisenhower. Her handwritten blue-ink signature appears directly above the printed facsimile of her name, representing one of the most desirable forms of official Treasury autographs collected today. ... Read more →

Japan 1800 — Edo Period 5 Momme Silver Hansatsu with Daikokuten Reverse and Oil Merchant Validation Seal Woodblock Printed on Handmade Washi Paper

This Edo-period hansatsu is a striking survivor from the decentralized monetary world of Tokugawa Japan, when paper currency was not yet a national system but a local instrument of trust, exchange, and authority. Printed by hand-carved woodblock on handmade washi paper, the note belongs to the long, narrow format associated with feudal domain and regional exchange issues. These notes circulated within local commercial systems, where value was understood through seals, inscriptions, redemption practice, and the reputation of the issuing authority rather than through modern banknote conventions. ... Read more →