Collection PL

Australia 1877 — Bradbury, Wilkinson & Company Portrait of Woman Intaglio Vignette Proof (Printer’s Library Master)

This intaglio vignette proof represents an original portrait engraving produced by Bradbury, Wilkinson & Company in London in 1877, prepared as a master design element within the firm’s internal plate library. It depicts a classical female figure engraved as a stand-alone vignette, intended for later integration into complete banknote layouts commissioned by private banks across the British Empire, including Australian colonial institutions. In the Bradbury Wilkinson production workflow of the late nineteenth century, portrait vignettes were engraved independently of any specific banknote. ... Read more →

Libya 1971 — Central Bank of Libya Omar al-Mukhtar Intaglio Vignette Proof (Portrait Master for 10 Dinars Issue)

This intaglio vignette proof represents the master engraved portrait of Omar al-Mukhtar prepared for the Central Bank of Libya’s post-monarchy currency redesign introduced in 1971. The vignette constitutes a standalone production artifact, engraved independently of any completed banknote and intended for transfer into the face plate of the new 10 Dinars issue following final approval. In modern banknote production, vignette proofs occupy a foundational position within the engraving workflow. ... Read more →

Italy 1871 — Standing Italia Vignette Die Proof (PS976)

Engraved vignette die proof of 'Standing Italia,' later integrated into the 250 Lire specimen of the Banca Italo-Germanica (1871–72, PS976). The allegory, modeled on classical prototypes, depicts Italia standing with shield and spear, emblematic of the country’s newly achieved unification and Rome’s designation as capital in 1871. Pulled directly from the master plate by Bradbury, Wilkinson & Co., this die proof captures the engraving in its purest state—sharp, uninked margins, and untouched by printing wear. ... Read more →

North Macedonia 1996 — 500 Denari Vignette Die Proof (Golden Death Mask)

This engraved vignette die proof preserves the Golden Mask motif prepared for the 500 Denari denomination of the Republic of Macedonia’s first post-independence banknote series issued in 1996. Produced by Thomas De La Rue & Company Limited in London, the proof represents one of the earliest physical stages in the creation of the banknote’s final design. A vignette die proof is printed directly from the engraved steel die before the image is transferred to the working plates used for banknote production. ... Read more →

Italy 1871 — Germania with Shield and Spear Vignette Die Proof Used for 500 Lire (Pick PS977)

This engraved vignette proof depicting 'Germania with Shield and Spear' was produced by Bradbury, Wilkinson & Co. in London for the Banca Italo-Germanica during the early 1870s. The impression preserves the complete ornamental vignette prepared for the proposed 500 Lire banknote design, including the decorative frame and denomination tablet engraved for integration into the final banknote layout. ... Read more →

Italy 1869 — Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire Portrait Vignette (Bradbury Wilkinson and Company)

This engraved portrait vignette was produced by Bradbury Wilkinson and Company as a direct design component for the 1869 Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire issue. It is not a generic engraving but the exact portrait element incorporated into the final banknote, forming part of the original production chain of the note itself. Vignettes of this type were engraved separately within the security printing workflow, allowing master engravers to refine portrait structure, shading, and line depth before integration into the full note layout. ... Read more →

Argentina 1876 — Banco de San Juan 5 Pesos Fuertes Central Portrait Vignette (Bradbury Wilkinson and Company)

This engraved central portrait vignette was produced by Bradbury Wilkinson and Company in London as the primary design element for the 1876 Banco de San Juan 5 Pesos Fuertes issue. It is not an unrelated or stock engraving, but the exact central allegorical figure integrated into the final banknote design, forming a direct and inseparable component of the note’s visual and symbolic structure. The vignette depicts a classical female allegory rendered in high-precision intaglio, embodying republican ideals, stability, and institutional authority. ... Read more →

Argentina 1876 — Banco de San Juan 1 Peso Fuerte Condor Vignette (Bradbury Wilkinson and Company)

This engraved condor vignette was produced by Bradbury Wilkinson and Company in London as a primary design element for the 1876 Banco de San Juan 1 Peso Fuerte issue. It is not an isolated or stock engraving, but the exact vignette integrated into the issued design framework of the note, forming a direct and traceable component of the final composition. The vignette depicts an Andean condor standing in a mountainous landscape, engraved with layered intaglio linework and controlled tonal depth. ... Read more →

Poland 1937 — Free City of Gdańsk Bank of Danzig 20 Gulden Architectural Vignette Bradbury Wilkinson and Company

This engraved architectural vignette was produced by Bradbury Wilkinson and Company in New Malden, Surrey, as a direct design component for the 1937 Bank of Danzig 20 Gulden issue (Pick 63), issued under the authority of the Free City of Gdańsk. It is not a generic or stock engraving, but the exact central vignette incorporated into the final banknote design. The engraving depicts a monumental civic structure rendered with precise architectural detail and controlled perspective. ... Read more →