Collection PL

Australia 1880–1910 — Commercial Bank of Australia £100 Specimen (Pick Unlisted)

A monumental survivor from Australia’s private banking era, this £100 specimen ranks among the most important colonial-era notes known. Printed circa 1880–1910 for the Commercial Bank of Australia Limited, it represents the uppermost denomination produced under the private-issue system that existed before the Commonwealth took full control of note issuance in 1910. No issued examples of this £100 are believed to have survived, making specimens the only remaining documentation of the type. ... Read more →

Australia 1877 — Bradbury, Wilkinson & Company Portrait of Woman Intaglio Vignette Proof (Printer’s Library Master)

This intaglio vignette proof represents an original portrait engraving produced by Bradbury, Wilkinson & Company in London in 1877, prepared as a master design element within the firm’s internal plate library. It depicts a classical female figure engraved as a stand-alone vignette, intended for later integration into complete banknote layouts commissioned by private banks across the British Empire, including Australian colonial institutions. In the Bradbury Wilkinson production workflow of the late nineteenth century, portrait vignettes were engraved independently of any specific banknote. ... Read more →

Poland 1994 — 50 Złotych Front Proof (Pick 175ap1)

The definitive front proof of the 1994 50 Złotych issue, this sheet represents the final approved obverse design prepared by Thomas De La Rue for Narodowy Bank Polski during Poland’s post-communist monetary reform. Executed as an internal production proof, it preserves the complete engraved obverse exactly as authorized for issue, prior to serial numbering and reverse printing. The design features the portrait of King Kazimierz III Wielki (Casimir the Great), rendered in De La Rue’s modern intaglio style and integrated into a complex guilloche framework reflecting European security-printing standards of the early 1990s. ... Read more →

Poland 1994 — 50 Złotych Remainder (Pick 175ar Miłczak 198a–b)

Remainder of the 50 złotych note issued by Narodowy Bank Polski within the first fully modern banknote series of the Third Republic, dated 25 March 1994. This example represents production-stage material retained outside the finalized circulation workflow and is cataloged as Pick 175ar, corresponding to Miłczak 198a–b. The note preserves the complete printed design prepared by Thomas De La Rue, London, including the portrait of King Kazimierz III Wielki (Casimir the Great), the integrated guilloche structures, and the finalized denomination and emblematic layout of the modernized Polish currency system. ... Read more →

Australia 1879–1903 — Federal Bank of Australia, Limited £1 Sydney Specimen (Pick Unlisted)

This specimen represents a one pound note prepared for the Federal Bank of Australia, Limited and printed by Bradbury, Wilkinson & Company in London during the bank’s short operational life between 1879 and 1903. The note carries the Sydney office imprint, identifying the colonial financial center where the issue was intended to circulate. It belongs to one of the most fragile and least documented chapters of Australia’s pre-Federation private banking era, when numerous colonial banks issued their own paper currency under uneven regulation and volatile economic conditions. ... Read more →

New Zealand 1895–1915 — Bank of New Zealand 5 Pounds Orange Specimen (Pick S192s)

The high-denomination anchor of the Bank of New Zealand color series, this five pounds orange specimen (Pick S192s) represents one of the most structurally complex and production-informative notes of New Zealand’s private banking era. Printed by Bradbury, Wilkinson & Company, Limited, London, it embodies the transition from richly ornamental Victorian engraving toward the more controlled and symmetrical Edwardian framework that followed. The composition preserves the defining elements of the earlier series—paired Māori figures within oval medallions at left, a lower maritime vignette reflecting colonial trade identity, and a dense guilloche lattice enclosing the denomination—while introducing a more disciplined spatial hierarchy across the central obligation panel. ... Read more →

New Zealand ND (1924-1933) - Bank of New South Wales Ten Shillings Proof, Perforated SPECIMEN (Pick S161s)

Printers archival proof for the Bank of New South Wales Ten Shillings, classified in the Standard Catalog and grading records as New Zealand Pick S161s (ND 1924-1933) and produced in London by Charles Skipper and East. This piece was never intended for circulation. It was created as part of the printers internal proofing, approval, and archival process and survives as a workshop original documenting the final approved design for a denomination that ultimately never entered public issue. ... Read more →

Argentina 1883 — Banco de la Provincia de Buenos Aires 2 Pesos Oro Proof (Pick S536fp)

Superb proof engraving prepared by the American Bank Note Company for the Banco de la Provincia de Buenos Aires, dated 19 de Enero de 1883. The design features an equestrian vignette at center symbolizing progress and vitality, flanked by portraits of Florencio Varela and Valentín Alsina, two influential figures in Argentina’s political and intellectual life. Printed directly from ABNC master plates in black ink on thin India paper and mounted on card stock, this piece confirms its pre-issue proof status. ... Read more →

Uruguay 1862 — Banco de Londres y Rio de la Plata 100 Pesos Specimen (Pick S245s)

This perforated specimen of the 1862 100 Pesos note was prepared for the Banco de Londres y Rio de la Plata, among the earliest private commercial banks to operate in Uruguay and the wider River Plate region. Founded in Buenos Aires in 1862 with a Montevideo branch soon after, the bank served as a critical financial link between South American trade and British capital—handling customs revenue, shipping finance, and early railway projects. Engraved and printed by Bradbury, Wilkinson & Co. ... Read more →

Libya 1971 — Central Bank of Libya 10 Dinars Color Trial Specimen (Omar al-Mukhtar Portrait, Pick 37cts)

This color trial specimen represents a pre-issue production stage of the Central Bank of Libya 10 Dinars note introduced in 1971, prepared during the immediate post-monarchy redesign of the national currency. Following the establishment of the Libyan Arab Republic, royal imagery was formally removed and replaced with revolutionary-era symbolism, most prominently the portrait of Omar al-Mukhtar, positioned as a unifying national figure and ideological anchor of the new regime. Color trial specimens occupy a critical position within the banknote production sequence. ... Read more →

Libya 1971 — Central Bank of Libya Omar al-Mukhtar Intaglio Vignette Proof (Portrait Master for 10 Dinars Issue)

This intaglio vignette proof represents the master engraved portrait of Omar al-Mukhtar prepared for the Central Bank of Libya’s post-monarchy currency redesign introduced in 1971. The vignette constitutes a standalone production artifact, engraved independently of any completed banknote and intended for transfer into the face plate of the new 10 Dinars issue following final approval. In modern banknote production, vignette proofs occupy a foundational position within the engraving workflow. ... Read more →

Great Britain c.1806–1812 — Derby Bank £5 Proof (Pick Unlisted)

A printer’s proof of a £5 note prepared for the Derby Bank during the formative years of British provincial banking, dating to circa 1806–1812. This piece belongs to the critical transitional period between eighteenth-century handwritten credit instruments and the fully industrialized, security-driven banknote production that would dominate the nineteenth century. At the time this proof was produced, Britain’s monetary system was still decentralized. ... Read more →